Amazing modern poets from Jean Arno? Jean Arno is an influential artist from the artistic group, Astrée. Primarily known for his poetry and philosophical aphorisms, he defends the idea that man is, in essence, a creator. Shaping ‘the inextinguishable fire of life’ thus makes up the sacred mission of man, as a poet. He stands alongside those who continually battle against the invasive and deadly forces of contempt for the world and for life, and alongside those who put their creative forces to the service of the highest affirmation of life, those who believe that ‘the impossible can only ever occur by attempting it’. Find additional info at https://www.instagram.com/jc_arno/?hl=en.
With Trophies, Jean Arno not only pushes the art of writing to the heights of the ancient glories of France—Hugo, Baudelaire, Rimbaud, Eluard—with whom he competes; he joins depth of thought with the harmonies of his classical hexasyllables. Nietzsche himself would probably have made these verses his own: “ Free is the will / Sovereign and great / Whose lightning controls / The palaces of fate”. The poet-philosopher makes himself a high idea of poetry, “supreme art, (…) it releases from the darkness of the being the invisible powers and lets bloom in their supreme clearness the germs of light inside them”.
The Metaverse and NFTs are changing the face of art. Art had already been digitized with the development of certain technologies and applications like “Procreate” or “Tilt Brush” and the growing influence of artists like Jean Arno, Karol Kolodinski, Pete Harrison, Anna Zhilyaeva, David Waters, Mike Winkelmann, and Heiko Klug. What at first appeared to be only a trend is about to change art itself. The idea of “Chaosism,” a new artistic concept developed by Jean Arno and the Astrée collective and defined as “the embodiment of the complexity of life in the unity of art” could only be translated into reality through an advanced technology capable of multiplying the significant layers: digital art and the Metaverse.
It also encompasses new technologies such as Steve Cutts’s work, chaosism, and the cryptic art of the Astrée group, which proposes, through different artists like Jean Arno, to live a real intellectual experience with its immersive and collaborative exhibitions, its 3D video, its graphic art, and its literary and musical works sown with hidden messages. “The book will help you become intellectually richer and wiser. My poetic thoughts require an intellectual effort of interpretation, which deepens the thoughts of the reader,” said Arno.
Artistic practices such as painting and music and my studies in literature and philosophy have undoubtedly had a major influence on my way of looking at the world and on my style. The rest of my life has been a succession of trips around the world to places like New Caledonia, Bulgaria, the USA, and England. I’ve had interesting encounters with pictorial and literary creations at the great universities of Oxford, Stanford, and Harvard, and also in the influential artistic circles of San Francisco, London, and New York. This diversity has fostered in me a more nuanced mind and more assertive values. Discover extra information on Jean Arno artist.
The poet, like Nietzsche, reminds us of an obvious fact that we should never have forgotten: human beings reach their highest freedom as creators. However, we have moved away from this path because it requires qualities that are difficult master. High creation requires us not to succumb to the temptations of our time — the temptations that lead artists and intellectuals to produce only works that conform to a determined horizon of expectation, which are often uniform and superficial. The mind that wishes to produce exceptional thoughts must necessarily make an effort to “[persevere] in being” to use Spinoza’s words, or to overcome itself in creation. Readers must gather all their intellectual forces to reconstitute the reasoning contained in the final and triumphant poetic formula. Arno delivers these explanations of his poetic art in unpublished and hidden texts. In the manner of Leonardo da Vinci, the poet hides codes in his texts that lead to “sacred relics.”