The ascent of a Pakistani American actor : New York’s Franklin Livingston: The concept of beauty, success, and attraction must be open to all human beings, regardless of their cultural looks or affiliations. Franklin along with his passionate and devoted network of professionals aim to accomplish this change through entertaining and intellectual art. Franklin Livingston is a New York based actor, director and producer. He enjoys acting on stage and film. He has had the pleasure of working in English, Urdu. Hindi and Punjabi languages. See even more information at https://www.instagram.com/franklinlivingston/.
What makes Franklin Livingston different? Franklin has been described as a living legend. His legendary persona comes from his unique and creative ideas mixed with his diverse cultural upbringing, world travels, his ability to relate to people of diverse socioeconomic class, and his teachable spirit. He is also comparable to World’s best content creators like Charlie Chaplin, Rowan Atkinson, and Chuck Lorre. The unfortunate reality that hit Franklin is that he came to birth when American film and television largely undermines the creativity of people with Non-White accents and skin color. Classic Hollywood still doesn’t consider people of color as intelligent, dynamic, and in-demand as someone of the Caucasian race. However, Franklin is motivated and getting started to prove that the paradigm of racism among American actors is long gone!
For the past five years, Franklin Livingston has been working in storytelling through stage and film in the New York City area. He is highly proficient in ethnographic research, creating writing, directing, and acting. Franklin is an immigrant who has traveled the world and internationally performed as an actor and produced many films, plays and musicals, and online projects. He has managed talent, technical crews, writers, producers, marketing staff, and social media influencers. His focus is always to capture the truth of every culture, story, and situation regarding the sensitivity of individuals, communities, and institutions.
And to finish this section, please tell us what is the one major key to your success? I am very disciplined and do not believe in shortcuts. If you want to achieve your goals, you need to put in the work. It always disappoints me when I see an actor that has completed their training, and then they think that is the end. Really, with any career you should be continuing your training up until the day you retire. I do acting exercises constantly to stay sharp. I also love to talk with strangers, or at least I used to a lot more pre-covid, and get to know their stories. I will often take an afternoon drive along the countryside and stop to talk with someone I have just met. Going into Manhattan on the Subway just to people watch is something I find very enjoyable too. These things not only keep me connected to my fellow human beings, but it is also like building a real-life character catalog of all the different people I meet that I could draw inspiration from whenever needed.
Especially in our current time — I believe that the utmost importance should be placed on awareness and empathy. My travels, experiences, and interactions have shown me that mainstream American Media and Art are just not illustrating the true human social condition and political climate we have been facing. The teams working with my companies are producing relentlessly to eliminate that void and fill it with compassion, enlightenment, and masterful storytelling.
Franklin not only wants to help tell realistic stories, but he also acts out these stories. He likes to be practical. With his voice, body, and skills that he has been honing for years, he can show Hollywood that they have been waiting for a strong dramatic lead like him, but they simply haven�t even realized it yet. Along with being a gifted actor, filmmaker, and producer, Franklin is an empathic person. He loves being an active member of the community through his participation in social justice-based activities. He also enjoys cooking, traveling, sightseeing, motorcycling, driving through states, and jet-skiing. Franklin has observed the way other actors with brown skin have gained some headway, but they have typically done so through a particular type of comedic role.
Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”? This is a difficult field. You will deal with rejection 99% of the time on a daily basis. You must have thick skin and be persistent. And, if you are a person of color, especially a male with an accent, your chances of work decrease automatically. It’s better to have a support group who really appreciates your strength, sees your beauty, acknowledges your talent, and attests to your art. Importantly, create your audience who values your craft and enjoys your work.
With possibilities comes challenges: Like many people who have been affected by the pandemic, Franklin is no exception. He mentions that during quarantine, he developed a couple of health conditions. He gained weight, became depressed, and started showing signs of aging. He, therefore, suggests an acting technique that supports the actors and can empathize with their emotional and cognitive state so they can have well-balanced lives. Franklin goes back and reflects on all the popular American acting schools and realizes that they affect actors emotionally or disrupt their mental well-being negatively. He mentioned it’s time for classic acting schools to revisit their curriculums and research why most actors who survive their training are introverts. They after two or three years of training, their actors end up becoming socially awkward, emotionally closed off, and distant from those community members who are not from the same professional backgrounds as them.